Monday 24 December 2012

Easton xl1

Easton xl1

Easton truly believes that every player should have the opportunity to hit for power. However, the road to power hitting is different for every player. Some players need extra bat speed to reach their full power potential, while others need more weight and a bigger barrel. That's why Easton is changing the game this season and taking an approach to bats that no other manufacturer has ever tried before. Introducing the POWER Brigade; Two series, one distinct result. Whether you prefer the fast swinging Speed Series or the heavier extended barrel XL Series, POWER will be your outcome. Forget flashy designs and gimmicky names, these bats produce RESULTS. The Speed Series (S1, S2, S3) features the lowest Moment of Inertia (M.O.I.) on the market to create light swing weights and generate more power. On the other side of the spectrum, the XL Series (XL1, XL2, XL3) features extra long barrels designed to give players expanded hitting zones and more mass in the barrel, generating more power in every swing. Easton really does strive to fulfill the preferences of any type of player as both series come in two-piece IMX Composite designs (S1 and XL1), two-piece IMX Composite/THT100 Aluminum hybrid designs (S2 and XL2), and one-piece THT100 Aluminum designs (S3 and XL3). As for the materials, Easton's patented IMX Composite has proven to be one of the highest performing materials in the game year after year, while THT100 Aluminum provides superior dent and crack resistance. Throw in an array of additional world-class Easton technology and you have a new line of bats that is second to none. Easton: We Believe In Power! This bat is approved for play in all major youth associations. It is backed by a Full Twelve (12) Month Manufacturer's Warranty. Free Shipping!

Easton xl1


Easton xl1


Easton xl1


Easton xl1


Easton xl1


Easton xl1


Easton xl1


Easton xl1


Easton xl1


Easton xl1


Easton xl1


Easton xl1


Easton xl1


Easton xl1


Easton xl1


Easton xl1


Easton xl1


Aspen ski resort

Aspen ski resort


Aspen is a town, city, and ski resort community in Pitkin County, Colorado, United States.[1][2] It is the county seat of Pitkin County and is in a remote area of the Rocky Mountains' Sawatch Range, along the Roaring Fork River at an elevation just below 8,000 feet (2,400 m) above sea level on the Western Slope, 11 miles (18 km) west of the Continental Divide. As of the 2010 census, there were 6,658 permanent residents.
Founded as a mining camp during the Colorado Silver Boom and named because of the abundance of aspen trees in the area, the city boomed during the 1880s, its first decade of existence. That early era ended when the Panic of 1893 led to a collapse in the silver market, and the city began a half-century known as "the quiet years" during which its population steadily declined, reaching a nadir of less than a thousand by 1930. Aspen's fortunes reversed in the mid-20th century when neighboring Aspen Mountain was developed into a ski resort, and industrialist Walter Paepcke bought many properties in town and redeveloped them. Today it is home to three renowned institutions, two of which Paepcke helped found, that have international importance: the Aspen Music Festival and School, the Aspen Institute, and the Aspen Center for Physics.[3]

Aspen ski resort


Aspen ski resort


Aspen ski resort


Aspen ski resort


Aspen ski resort


Aspen ski resort


Aspen ski resort


Aspen ski resort


Aspen ski resort


Aspen ski resort


Aspen ski resort


Aspen ski resort


Aspen ski resort


Aspen ski resort


Aspen ski resort


Aspen ski resort


Aspen ski resort


Dirty heads tour

Dirty heads tour


The band was founded in 1996 by Jared “Dirty J” Watson and vocalist/guitarist Dustin “Duddy B” Bushnell in Orange County, CA. The two first met at a party during their freshman year of high school. Upon hearing one of Bushnell’s rap demo tapes, Watson became inspired to collaborate with him on a new project. At the time Bushnell was already in a punk rock band, while Watson had no previous music experience.[1] In Bushnell’s garage, the two began writing hip-hop songs with reggae and punk influences. The band’s name comes from an occasion where the two were stealing a 12-pack of beer, and someone shouted at them “Come here you little dirty heads!”[2]
Later, percussionist Jon Olazabal, drummer Matt Ochoa, and bassist David Foral were added to the lineup, further defining the band’s sound. With a full band, the members started taking their craft seriously and began recording. Renowned record producer Rob Cavallo originally signed the band to Warner Bros., but artistic differences led them to leave the label. The band managed to keep hold of their master recordings through the separation, which make up the bulk of Any Port in a Storm .[3] The band then connected with producers Steve Fox and Stan Frazier to complete their debut album. The album features appearances from legendary Beatles collaborator Billy Preston, Josh Freese (drummer for The Vandals and session drummer for Nine Inch Nails and Korn), percussionist Alex Acuna, British Grammy nominated British reggae singer and DJ Tippa Irie,and Indie 103.1 reggae host Native Wayne. The song "Check the Level" includes guitarist Slash and heavy metal vocalist M. Shadows. The album was mixed by Beastie Boys producer Mario C,[4] and Lewis Richards of 17th Street Recording.

Dirty heads tour


Dirty heads tour


Dirty heads tour


Dirty heads tour


Dirty heads tour


Dirty heads tour


Dirty heads tour


Dirty heads tour


Dirty heads tour


Dirty heads tour


Dirty heads tour


Dirty heads tour


Dirty heads tour


Dirty heads tour


Dirty heads tour


Dirty heads tour


Dirty heads tour


Hdr camera

Hdr camera


High dynamic range imaging (HDRI or HDR) is a set of methods used in imaging and photography to allow a greater dynamic range between the lightest and darkest areas of an image than current standard digital imaging methods or photographic methods. HDR images can represent more accurately the range of intensity levels found in real scenes, from direct sunlight to faint starlight, and is often captured by way of a plurality of differently exposed pictures of the same subject matter.[1][2][3]
In simpler terms, HDR is a range of methods to provide higher dynamic range from the imaging process. Non-HDR cameras take pictures at one exposure level with a limited contrast range. This results in the loss of detail in bright or dark areas of a picture, depending on whether the camera had a low or high exposure setting. HDR compensates for this loss of detail by taking multiple pictures at different exposure levels and intelligently stitching them together to produce a picture that is representative in both dark and bright areas.
HDR is also commonly used to refer to display of images derived from HDR imaging in a way that exaggerates contrast for artistic effect. The two main sources of HDR images are computer renderings and merging of multiple low-dynamic-range (LDR)[4] or standard-dynamic-range (SDR)[5] photographs. Tone mapping methods, which reduce overall contrast to facilitate display of HDR images on devices with lower dynamic range, can be applied to produce images with preserved or exaggerated local contrast for artistic effect.

Hdr camera


Hdr camera


Hdr camera


Hdr camera


Hdr camera


Hdr camera


Hdr camera


Hdr camera


Hdr camera


Hdr camera


Hdr camera


Hdr camera


Hdr camera


Hdr camera


Hdr camera


Hdr camera


Hdr camera